Another round of train strikes made getting to Vichy difficult for the second site meeting in a row. We had a beautiful sunny day for our visit, and took the opportunity to scatter some wildflower seeds in our future garden.
My latest short film hit the brick wall that is YouTube’s Content ID system. This was the first time I have had an utterly misapplied copyright violation notice.
Other copyright notices have been raised on my videos but those have been for incidental recordings of music playing during public performances. I do not know the legality of those claims but they appear raised by the appropriate licence holder. Those claims are not my focus today.
If no, then YouTube is in error and new music is still needed.
But knowing would be useful for the future. Should I avoid using tracks from The Passion HiFi? Might Audiam claim everything they produce; I do not know.
The original version of my short film is gone. I removed it immediately from YouTube. Better to not give Audiam control. Better to not accept their claim. Better to not have to lodge disputes and risk my YouTube account’s standing.
I am not fighting. There are other choices.
Today I replaced the music and a new version of my Pérouges short film is available to enjoy. This time, I hope, the Content ID system will leave my work alone.
I am trying to get faster at putting together these short films. Final Cut Pro is a complex beast of an editing application.
This is the first video to use a compressor within Final Cut Pro for parts of the audio; previously I did this in Audacity. While a small step towards better sound, it is nice to be able to do as much as possible within one application.
I also learnt that L & J cuts do not require detaching audio first. By expanding the audio tracks of a video, it becomes possible to trim or expand the visual and audio elements independently of each other.
Our schedules have been overwhelming this year and looking ahead there may not be a pause for some time to come. Our commitment to continue travelling and doing new things needed a boost, so this last weekend we went to Pérouges.
Pérouges fitted the bill nicely. Visiting the town is a day trip from Lyon. From Part Dieu train station the journey took thirty minutes on a regular commuter TER train. The destination station is Meximieux – Pérouges.
From Meximieux to Pérouges
Meximieux is the closest stop with a train station. To reach Pérouges from the station, a short walk of either 20 minutes or 40 minutes awaits. One route is more direct but less scenic. I recommend the scenic route as it wanders through countryside and you pass by an attractive lake.
Pérouges feels deliberately suspended in the medieval period. The town is clearly maintained as a tourist destination. The buildings are restored and maintained; the construction style makes use of the thousands of small rocks that litter fields all around.
With less than a year to go before we leave Lyon, we have renewed our annual museum cards for the final time. These cards give us access to six galleries and museums around the city. They are great value and having them provides an extra push to trek to galleries at the weekends.
This Sunday we visited our nearest gallery, Musée d’Art Contemporain de Lyon (MAC). This typically challenging destination was hosting an exhibit by Yoko Ono. For once an artist’s name that I recognised. Being a contemporary gallery, and combined with my lack of recent art knowledge, visiting tends to be a gamble. We have seen some very strange exhibits at MAC. This is not your typical paintings on a wall type of place.
Despite some irksome security theatre, I was allowed to photograph and film freely. The organisers explicitly asked shared content to be tagged with #YokoOnoLyon; so, I have.
Putting together a film without a story is difficult. You have nothing to edit around and nothing to travel through the footage with. What I ended up with is more a memory of our visit, than a gripping short film. Music certainly helps bind it together. In this case the music is Before I Sleep by Muciojad (CC BY-SA 3.0).
Nails in a Conference Table
We enjoyed the exhibit asking us to hammer a nail into a conference table. Others had taken to hammering nails into the walls and anything else they could lodge the nail into. A sign noted that because the gallery refused liability and responsibility for the public’s actions, you were thus free to augment the table.
The halved dining room table and accompanying place settings was surprisingly engaging.
The exhibit was enjoyable. The tone of the first floor was fun and engaging. The last exhibits were somber and dark in tone. We left wondering if that content would have been better on the middle floor. Something to give us time to recover before leaving the gallery.
I did get to go on a tiny slide built into a wall. That was fun.